Paul sat down and admired the view. An occasional ray of sunshine escaped through the clouds to illuminate a hillside. Scoured Munros sparkled with snow. Ice-cold narrow streams flowed down into the loch. Heather rippled in the thin breeze. The occasional sheep broke up the purple and dark green. A hawk surveyed its prey, hovering in the air.

He took a flask of tea out of his backpack, poured some into the cap, added a nip of the local single malt, and sat back against the standing stone. It was good to get away from it all. No roads below, not even jet trails scarred the sky. He rummaged in his pack for an energy bar, peeled off the foil and bit into the crumbly cake.

Out the corner of his eye he thought he saw something red bobbing up and down. It was far too big to be a capercaillie. This was more like a balloon. Maybe it was from a competition and had run out of air, getting stuck in a bush. It could be another walker. But that wasn’t possible, no one was allowed here.

The red shape got closer. Not the red of a pillar box, more like the lustrous radioactive red of a mushroom cap. It was another walker after all, wearing a jacket. The figure waved. Paul waved back and immediately regretted it.

“Hello.” The walker stopped nearby. Leaned on his stick and breathed deeply before exhaling with the sound of satisfaction. “Marvellous.” He smiled. “May I join you?”

“You already have.” Paul smiled too. “You know this is private land?”

“Really?” The walker sat down beside Paul. “I didn’t see any signs.”

“Unless you flew in, they’re all around the estate.” Paul downed his tea and started to put the flask away.

“Do you have any left? I’m parched. I didn’t bring anything with me. Sorry to be a pain.”

The walker’s only concession to the environment was the jacket. He wasn’t even wearing boots, just shoes more suited to the office than a hillside. Another one of those eejits who expected to get rescued by using his mobile phone. He’d be out of luck, no signal up here. Just the way Paul wanted it. The locals in the nearby town were a bit miffed, but he let them use his high speed fibre-optic broadband.

Paul unscrewed the cap and poured out some more black tea. “And a wee bit of the good stuff, if you will.” Paul clenched his jaw. Instead of telling this guy to take a running jump, he dropped a generous measure into the tea and passed it to the walker.

The walker cupped his hands round the tea and breathed in the steam. “Marvellous.”

“Who the hell are you? What are you doing here?”

“You could say I’m your biggest fan.”

Paul held out his hand, flat, and after no response from the walker made a beckoning motion. “Come on then. I’ll sign whatever you have. Just go away and leave me in peace. I hope you’ve brought your own pen.”

The walker sipped from the tea and sighed. “I haven’t got anything to be signed. I just wanted to meet you. Britain’s answer to Stephen King.”

“I always thought that was James Herbert. I prefer the 21st Century’s H. P. Lovecraft.” Paul barely kept up with the hawk as it dove down on its prey which struggled in its talons as the hawk rose up again.

The walker smiled. “Well, quite. Makes a change from all the zombie authors writing about sparkling vampires shagging faeries. Good to see a return to that nihilist realism from the live-forever fantasy.”

“It isn’t that bleak is it? Atheist perhaps, if you don’t consider some of the extra-terrestrial beings as gods. But they give some meaning to existence, even if it is only to die for their fleeting benefit. Life itself is a purpose.”

“God is dead, nonetheless. But you seem to have single handed denied God and brought so many back to belief.” The walker took a deeper drink, the tea had cooled. “What prompted you to do the TV special of ‘The King in Yellow’?”

“That was a terrible, terrible idea. I don’t know what possessed me. They kept asking me for rights, for film, for merchandising. Can you imagine a playset of Forgotten K’Rata risen from the desert sands? A Nathugua doll? How would they do the non-Euclidean tentacles?” Paul turned towards the walker, but his eyes were seeing something else. “I thought what is the worst thing I could give them, something they’d never do in a million years? I saw my copy of the play in its case, and I knew that was it. They lapped it up.” Paul took a long swig from his hip flask. “I mean I warned them. I told them it wasn’t me that wrote it, originally. I just reconstructed the play. Found original medieval sources Chambers didn’t have access to. It was banned for a reason. They went ahead anyway. It was all Victorian hysteria, they said. You must have seen the Yellow Sign. It was everywhere, the Radio Times, posters on the underground, even on badges.”

“One in ten, I heard.”

“Yeah. Something like that. The producers should have stopped it during rehearsals when the cameraman attacked Liz Forrester with a knife. It just added to the pre-broadcast hype. They agreed to put a warning announcement before the show. But I still feel like it was all my fault.”

“I don’t think we can put all the blame for the queues at A&E, the stress on the mental hospitals and the overflowing morgues entirely at your feet. Those people chose to watch it of their own free will.”

Paul looked up at the walker. He was serious, he didn’t blame Paul. He offered the walker the hipflask.

The walker lifted his hand. “No thanks. I better be going. Like I said, big fan. Just wanted to meet you.” The walker got up and headed back the way he came.

Paul watched until the red of the jacket disappeared from view.

No not a statement of Morloks vs Eloi, but in case you've not seen them two TV shows currently airing in the UK (and apparently both now cancelled by their US networks after one series/season).

Almost Human pairs Karl Urban's John Kennex as an embittered injured cop with a robot partner. The current range of standard issue bots aren't to his tastes as the logic of one got his pal killed and he lost a leg in a shoot out with the criminal group The Syndicate. Since it's the law that all cops need a robo-buddy his boss contrives to give him one of the older models, Dorian, which has a supposedly faulty emotion chip and has the role of a mobile, physical search engine. It's all a bit Bladerunner, and might be really funny if John turned out to be a bot too. Despite a gleaming future run by robots people still get to drive their own cars.

Intelligence is set in the present day and has one of America's most highly decorated veterans, Gabriel Black, played by Lost's Josh Holloway, have a weird genetic anomaly that allows a chip to be put in his head that lets him wirelessly access all networks, hack into them and dig through databases while a side effect is he can intuitively walk through crime scenes recreated in his minds eye. Kind of like a holodeck only he can see. He's teamed up with a female Secret Service agent, Riley O'Neil, to act as his bodyguard in the field. She's so attractive looking she enters an uncanny valley of not looking real that many actors seem to be falling into these days.

I've only seen one episode of Almost Human so not sure how that pans out storywise. Intelligence has put all the show's money into the visualisations of Gabriel's data-searches and VR experiences as otherwise it's quite a cheap show. Iraq looks like the same Hollywood backlot they filmed Star Trek on. Both shows have the male lead pursuing/ pining for a mysterious female who they were in a relationship with but now seems to have been into something shifty.

What is interesting for me is the comparison of the two approaches to robotics and advancing technology. In Almost Human the technology is very much external, in the future we'll have fully humanoid artificial beings. In Intelligence we'll all be directly connected to information without Google goggles or smartphones using tiny computers inside use, hell lets call them nano-bots.

The more plausible is the world of Intelligence. If recent history has told us anything it's that we're getting better at user interfaces and in fact removing that interface where possible. Hence the move into touchscreens, voice activated assistants, spectacles projecting augmented reality into our eyes. Those devices will collapse further and disappear inside us.

An actual physical robot is a user interface for the whole world. It's going to the opposite end of the scale. We start with the machine and introduce the humanity. How soon before we replace ourselves entirely with an artificially body and remove that interface completely?

What do we need robots for anyway? To do hard work we don't want to, or can't do. In some cases they're even substitutes for emotional work, companions to the elderly and the young, no doubt the loveless too. They're a retreat from all dangers. They don't really make the problem go away, they mitigate it. If we go tiny with our robots we might not need to worry about the problems at all. Aging bodies replenished by tiny machines, our other needs that lead us into danger - food, resources, may not be so necessary. If we lose our emotions though we're probably not human anymore anyway.


But what about, dare we say it, our souls? If we replace ourselves with machines from the outside in (the macro model) do we lose our souls quicker than from the inside out (the nano model)? It seems either way the future is the same, one is just more blatant than the other.